Salvador Dalí must be the epitome of the eccentric artist-genius if there ever was one. And eccentric, mind you, in a good, no, freaking brilliant way. The Catalan artist melted hearts and stirred the art world´s pot with his unconventional, surrealist ways. I was fortunate enough to visit his thought-provoking “Casa Museu Dalí” in Figueres, close to the French border, a while ago – a place where giant eggs sit enthroned on the claret colored rooftop and sultry lips as well as a nose act as surprising pieces of furniture and decor. It is an inspiring place, to say the least!
Dalí´s work traveled far and wide, and a part of it somehow ended up in a place the celebrated artist didn´t really have that much to do with during his lifetime – in Marbella, Southern Spain. While the creative genius spent most of his life between cities such as Barcelona, Madrid or Paris with a longer stay in New York, some of his outlandish sculptures have found a home in the beautiful, notorious coastal city 45 minutes from Malaga.
There are two places in Marbella where you can soak up the Mediterranean sun and marvel at the famous painter, artist and sculptor´s
work at once. One is located at Puerto Banus, playground of the super-wealthy, where even Arabia´s billionaires leave their yachts in the port and come out to mingle. Located on the Cristamar roundabout at the end of Avenida Naciones Unidas, a several tonne heavy rhinoceros dressed in lace greets its onlookers with a detached (or is it cheeky?) demeanor.
For a wider array of artwork, head to Marbella Boulevard, to so-called Avenida del Mar, which is located right in the pulsing heart of the city, between the endlessly charming old town with its flower-patios and narrow winding, white-washed streets, and the gorgeous embankments along the deep blue waters of the Mediterranean ocean.
Here, where a salty sea breeze fills the air and the sun warms every pore of your skin, five quirky sculptures await your interpretation. The first one depicts Greek mythological man and hero Perseus, caught in the act while cutting lady Medusa´s head off. Remember Medusa? Yep, it´s that feisty female with snakes instead of hair and a pretty chilly gaze – so chilly, in fact, that any man gazing upon her would turn to stone. It seems somehow understandable, then, that Perseus would do such a drastic move. But wait, isn´t he already cast in stone? This is kinda confusing. I mean, what´s the point? Anyway, moving on.
Apart from Perseus, there are two sculptures that showcase a more direct connection to Dali’s life: One of them is named “Gala Gradiva” after the artist´s wife, the other is a depiction of her looking out a window. As you can gather from these sculptures, this enigmatic, Russian-born woman played a central role in Dali´s art and life. He adored her with as much heart and soul as only artists can adore their creative-life-giving muses. As a testimony to this and to the powerful effect of love on art, let me close this post with a quote by Dali himself, revealing his neverending affection for Gala as well as the overall quirkiness of his character:
“I name my wife: Gala, Galushka, Gradiva; Oliva, for the oval shape of her face and the color of her skin; Oliveta, diminutive for Olive; and its delirious derivatives Oliueta, Oriueta, Buribeta, Buriueteta, Suliueta, Solibubuleta, Oliburibuleta, Ciueta, Liueta. I also call her Lionette, because when she gets angry she roars like the Metro-Goldwyn-Mayer lion”